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The First World War Poetry Digital Archive was released on November 11th 2008 where all the images on this blog and many more can be found.

Please visit:

http://www.oucs.ox.ac.uk/ww1lit

Wilfred Owen's last letter from "The Smokey Cellar"

Wilfred Owen's last letter home written from 'The Smoky Cellar of the Forester's House' near Ors, France on 31st October 1918. Owen was killed in action at the Battle of the Sambre, just one week before the war ended on 11th November 1918. This is one of Owen's letters that has been digitised for inclusion in the First World War Poetry Digital Archive.

Image copyright: Harry Ransom Humanities Research Centre, University of Texas at Austin / The Wilfred Owen Literary Estate.


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A core collection within the First World War Poetry Digital Archive will be the contextual items (audio, photographs and film) digitised from the Imperial War Museum. These items will serve t place the poetry of the first world war within a historical and social context, widening the site's appear to an array of other subjects (History, Media Studies, Women's Studies, Local History and much more). One focus within this collection is that of "Women in War" and the part they played at home and abroad. The photograph pictured here is of a woman war worker fixing nose clips on to gas masks at a factory in Bermondsey, London.

Robert Graves: "I hope you haven't been taking the casualty lists seriously again!"

At the outbreak of World War I in August 1914, Robert Graves enlisted almost immediately, taking a commission in the Royal Welch Fusiliers (RWF). At the Battle of the Somme he was so badly wounded he was expected to die, and indeed was officially reported as died of wounds. In this letter to his close friend and fellow poet Siegfried Sassoon, Graves talks in jest of the reports of his death, writing that he died on his 21st birthday so he "can never grow up now". This is one of a number of letters and poetry manuscripts digitised by the project from the Robert Graves archive in the Berg Collection, New York Public Library.

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The Great War Archive

Not only the poets have a story to tell about the Great War.

On March 3rd the First World War Poetry Digital Archive launched "The Great War Archive". The aim of this site is to collect together digital surrogates of material related to the First World War held by members of the public.

The image above is one of many images from a sketch book belonging to Percy Matthews. Matthews trained at the Ramsgate School of Art and during World War I he served on the Western Front as a Private in the Kentish Buffs, and later in Salonika as a Lieutenant in the Middlesex Regiment. It was in Salonika that he produced his remarkable sketches of scenes and characters from military and civilian life. These images were submitted to the GWA by Elizabeth Masterman on behalf of Peter, his son. These sketches have now been donated to the Imperial War Museum in 2007, where they are currently undergoing conservation.

To find out more visit: www.thegreatwararchive.org

'Daughters of War' by Isaac Rosenberg

More than with most poets, the manuscripts of Isaac Rosenberg tell us much about the conditions that the First World War soldier lived and worked under. In Rosenberg's writing the immediacy of the trench experience echoes, not only through his words, but also through the condition of many of the manuscripts. His work was written on poor quality paper and was carried around in a wet khaki pocket, and to this day contains dustings of mud and water stains that reverberate the War. This manuscript, written on printed Salvation Army paper, folded in 8, torn and stained with mud, contains a pencil draft with opening lines related to the poem 'Daughters of War'. This is one of over 200 items from the Rosenberg Collection at the Imperial War Museum being digitised for inclusion in the First World War Poetry Digital Archive.

'Perhaps' by Vera Brittain

During the First World War Vera Brittain served as a Voluntary Aid Detachment (V.A.D) nursing wounded soldiers in England, France and in Malta. During the war she lost a number people she loved dearly including her fiance Roland Leighton, and her brother Edward. After the war she became strongly - and famously - associated with the peace movement, to which she was committed for the rest of her life.

'Perhaps' by Vera Brittain is a poem filled with the grief she felt when her fiance Roland Leighton was killed. The First World War Poetry Archive are working with McMaster University Archives to digitise a selection of Vera Brittain's poems, letters and diary extracts as well as material by Roland Leighton.

Image copyright: The Vera Brittain Literary Estate, non commercial use only

Age shall not weary them, nor the years condemn (Laurence Binyon, For the Fallen)

The 11th November marks the 89th anniversary of Armistice and Remembrance Sunday. Throughout the period of Remembrance a sea of scarlet poppies remains a touching symbol to those who fought and lost their lives and those they left behind, not only during the First World War, but in every conflict since then. Support the Poppy Appeal by visiting http://www.poppy.org.uk/.

Picture courtesy of The Royal British Legion

Isaac Rosenberg: Pozieres

Isaac Rosenberg was the son of Jewish Russian immigrants. He grew up in extreme poverty,but was a talented painter and poet,studying at Birkbeck College and later at the Slade School of Art. Rosenberg found army life very hard; he was bullied and victimised because of his faith, class and artistic temperament, and through his frailty and poor health he suffered real physical hardship. The poems that Rosenberg produced as a soldier are distinctive in their modernity, clarity of language and compassionate detachment. The project will be digitizing a vast number of Rosenberg's poetry manuscripts and letters from the Imperial War Museum, New York Public Library, and the British Library. The condition of the manuscripts are particularly interesting, showing the immediacy of the trench experience through mud stained paper and scrawled handwriting. This manuscript, from a collection at the British Library, features Rosenberg's poem "Pozieres". Rosenberg submitted the design and the poem for the 40th Division Christmas card in 1917. Unsurprisingly, it was not chosen.

Edward Thomas' War Diary

Edward Thomas' War Diary was discovered by his grandson Edward amongst his fathers documents and papers. Last month Edward and his wife kindly brought the diary to the Oxford Bodleian Library to be digitised for the archive.

The cover pages of the diary are creased, suggesting that Thomas was carrying the pocket book either when he was knocked over by a shell blast from a 5.9 shell on the 8th of April, or when he was killed at an observation post while directing the fire of 244 Battery during the opening barrage of the Battle of Arras.

Here we can see the final page of the diary which contains what is undoubtedly the last poem that Edward Thomas wrote. The poem shows a strong influence of Shakespeare's sonnets, for as his diary and letters show, he read Shakespeare regularly each night during the short time he was stationed in France.

Edward Thomas: Rain

A poem to compliment the recent weather that the UK has been experiencing! All of Edward Thomas' "war poems" were written in England, before he went to serve in France, so here we see the impact of the War on his mind rather than as a direct response to battle. Rain is deeply melancholic, a troubling poem by a troubled man who suffered from depression throughout his life.

Edward Thomas' Pocket Watch

On Easter Monday, 1917, Edward Thomas volunteered to occupy a forward observation post on the Western Front. At 36 minutes and 12 seconds past seven o'clock in the morning, a shell landed close to him. It left no mark on his body, but the blast stopped his heart, and his pocket watch. The pocket watch has been one of the most poignant exhibits in the Imperial War Museum, and is kept in the Edward Thomas Collection, at Cardiff University Library.

Wilfred Owen: Dulce et Decorum est

This is one of four manuscript versions of Wilfred Owen's seminal poem "Dulce et Decorum est" digitised for the First World War Digital Poetry Archive. The manuscript resides at The British Library (MS 43721).